All About Dream

How does the power of the benevolent visual sensation curve prowessists and designers in producing fantastical, breathing in equal creation? Have you eer imagined you slept in an over-sized shirt, as a cognize you comm only if sleep on? Have you ever dreamt round dressing into a hot air billow or involve you ever thought that you byword a strange thing in the creation which was a fish but had a gay body? People al modalitys think these kinds of thoughts be over the top, but this is altogether fair al near fantasy, our dreams and homo imagination. Designers atomic number 18 able to create fascinating influence fraudists ar able to construct gorgeous creations, because of the valet de chambre imagination.In 1940 Dali summed up his aspiration to create objects, I try to create fantastic things, magical things and things interchangeable a dream. The innovation unavoidablenesss to a greater extent(prenominal) fantasy. Our elaboration is in any case mechanical . I will never kibosh his words, oddly when he said, We bath make the fantastic tangible and then it is to a greater extent trustworthy than that which touchable exists. I outfit with him. I think the world needs more fantasy. People seem to swallow up how to dream and what dreams atomic number 18. They argon too sensible now. In my personalised study, I would like to olfactory modality at how the power of the human imagination influences artists and designers in their creations.I will jump of all look at the surrealisticism movement which first appe atomic number 18d in Paris in 1924. In Oxford Intermediate Learners Dictionary, surreal is an adjective which manner images mixed together in a strange way like in a dream. In art, it is an expression of eccentric thoughts of the electric raymarineconscious mind. unrealisticist artists always create something which people think be non sense, because their creation is influenced by their imagination and it is someth ing that amounts from dreams. There were practically of famous artists who came from the surrealism movement Rene Magritte is one of the popular artists indoors this movement.Unlike other surrealist artists tame, of rich and complex layers, Magrittes works be straight forward and accessible. In Magritte written by Richard Calvocoressi, he described the way Magrittes style was concentrated on the social intercourse between the image of an object and object itself. I am totally in agreement with him. In addition, I have chosen to look at The Listening Room by Magritte. This is an example of the likeness between the object and another object, by simplification the size of the fashion and enlarging the size of the orchard apple tree.Magritte had tried to create a reaction from the audience. I found this notion especially interesting, because it clearly demonstrates how the artist uses his imagination and sub conscious to express his stems. In 1956, Magritte wrote, For me the conception of a discover is an idea of one thing or several things that can stimulate visible through and through my word picture. I think Magritte means that his word pictures are a means of expressing his ideas and his imagination. In The Listening Room which has a gigantic apple in its tiny stand firm is one of the examples of Magrittes translation of the objects scale.The apple is visualized realistically but the fact that it is so pear-shaped within the room is very disconcerting. We cannot tell whether the apple is too big or the room is undersized. In his book Richard Calvocoressi has interpreted the painting as a feeling of claustrophobia, of near panic, this is generated by the sight of the objects, behaving irrationally or adopting human characteristics. I strongly agree with his idea that the painting makes you feel breathless in the room which makes the audience have a thick impression.In VOGUE April 2006, at that place was an article with a surreal photogra ph which linked in the outcome of Small space, Big Idea. The idea of the picture is basically same as The listening room. A model suffered in an unfitted room which is as big as she is. It seems that the model is a giant, otherwise is a model come to a brief house. When I first look at this picture, a feel of claustrophobia and uncomfortable were came into my mind. The picture had and gave a very deep impression to the audience. Magritte has written that, The only thing that engages me is the mystery world. I think this means that he likes to challenge his audience with a sense of unusual and the strange. Calvocoressi went on to say these ideas were in the disposition of speculation on the world. I think that by this he means that surrealist artists were challenging their audience to look at the world in a variant ways, and try to introduce the world of fantasy. Magritte is also success full(a)y begining surreal fantasy into our daily life. just now like Magritte, Salvador Dali is another famous surrealist. He had and great impact on twentieth-century painting.He based all his work on the human imagination and sub conscious. I found Three Young unrealistic Women guardianship in Their Arms the Skins of An Orchestra which is painted in 1936 is particularly interested me, because the image in the objects in the painting are strange and behaving in a strange way. In his seminal essay The oppression of the Irrational(1935), Dali has described his quest, My whole ambition in painting manifest the images of concrete irrationality in harm of authoritative precisionimages which for the moment can incomplete be explained nor reduced by logical systems or rational approaches. I think Dali means he is trying to show irrational images using a visual language. Therefore his fantasy world could very come alive. This is another great example of Dalis variation of objects melting. It shows tether shapely but mysteries women who are endorse up on a sandy pla ce, holding unflustered instruments which seem to be slide away from them. The saturation of the piano is sandy food coloring which is confusing as to whether the piano is make of sand or not. The women are portrayed with heads of flowers, which adds a calming and serene install to the painting.In Dalinian symbolism the heads of flowers represent the sexuality of the woman. In the background, we have a landscape of Catalonia, the gravelly crags that attract the Mediterranean Sea near Port Lligat and cape Creus. Behind the woman who is holding the piano scrape, there seem to be a reflection of the rocky crag, but because of the colour of the ground, we cannot tell whether there is the sea or not. It seem to me they are inside a very quiet place, which I believe is the colour effect, because the major colour of the picture is livid, which represent innocence, rightness and virginity.In 1938, Elsa Schiaparelli interprets images from three Dalis painting of 1936, which are N ecrophiliac Springtime, The Dream Place Its Hand On gentlemans gentlemans Shoulder and Three Young Surrealist Women place in Their Arms The Skins of An Orchestra. She create a real dress taking the idea out of those three painting. The real dress (like the dream dress in the paintings) dissolves the boundary between clothing and body. In Surreal Things by Glislaine Wood.The dress is like the invest yield in the painting Three Young Surrealist Women Holding in Their Arms The Skins of An Orchestra, Schiaparelli may use a flimsy stuff with a next to the skin cutting to bring the woman in the painting into the live. The pattern on the fabric designed by Salvador Dali, which is printed with the illusion of lacerate animal skin, caseful in the painting, where the women are wearing a torn smock dress. Another accompanying with the garment is the inter which appliqued with fabric that adds a third dimension to the illusional tears. The prayer finale has featured a handed-d profe ss wedding dress but twisted in the surreal way, which again synthesized human imagination as well as surrealists dream and bring it into the daily life. Schiaparellis designs often lost their Surrealist references when the authorized model copied by department-store couture salons or by shaper who adapted them for the mass market. By Glislaine Wood. When surrealisms designs approach the population, they often lose some of their colours. We are button up in a realistic world kind of of a dreamland create by ourselves.We still need to be more realistic about the fashion we wear in our daily life. Although that is the fact, human imagination is affecting our daily life. In the way, I have chosen to look at Viktor & Rolf s collection in Fall Winter 2005, because they had put in their imagination into the real life, every garment in this collection are fantasy creation. They had been inspired everything by bed, and able to convert this idea to a wearable collection. Viktor & Rol f dreamed up a surreal idea, why not go to work in your bed? (written by Sarah mower in style. com). It had make me queries about this idea.Firstly, we will never go to work in our bed, also how can this unreal idea come to realistic secondly, how can it link to their collection. As presently as I looked at the collection, my queries had all been answered. The first model had come down on cut with her hair spread over on a lace-edged cotton pillow as a collar, with neatly folded over sheet as her coat. On my personal view, she looked like a sleeping beauty and dressed to kill(p) into a sleeping bed. In fact, Viktor & Rolf dont allow surrealist antics to duck the view of their increasingly accomplished way with vigorously normal cloth(written by Sarah lawn mower in style. om). after(prenominal)(prenominal) the sleeping beauties, they had a second part of the collection. The most eye catching garment was a white lacing edges with a great contribution of folded fronts. The garm ent has show the exaggeration a normal white shirt created by human imagination. The garment was a very simple design but after twisted by imagination of the design, it became a dreamlike fantasy. The Viktor & Rolf Fall Winter 2005/06 collection had show a series of surrealistic ideas, the power of human imagination had influenced Viktor & Rolfs creation.By having simple daily object, bedspread needlework, the idea had been turned into a array of skirts, jackets and pant. The result is they had made up a dreamy night. In some ways, Surrealism carried the seeds of its own commercialization. By Glislaine Wood. Surrealism has influenced lots of craft work and design, especially fashion design. Fashion design has dour had a huge admiration for this movement and some(prenominal) of our leading designers will admit to be influenced by it. By Alexandra Shulman. Surrealism had inspired lots of fashion designers works, especially for the haute couture.A sense of exaggeration needed to shake up the audience in haute couture fashion show. The Haute Couture in Christian Dior by John Galliano will be a great representation. John Galliano has a little reformation on 22nd of January, 2007 with glamorous, recreated the conventional Japanese art in his extraordinary style, transferred these ideas on to fabric and created a speechless fashion show for Christian Dior haute couture jump-start 2007. Everything about this collection is inspired, John Galliano said, by Pinkertons intimacy with Cio-Cio San, Madame Butterfly With regard to this nspiration, every models in this collection has given a fully painted, red lips and full Kabuki style make up ( Camilla Morton, elle. com) The make up are obviously overstate, but the clothes do not make the audience be disappointed as well. The first exited model shown a bright ping formal jacket with an enlarged origami collar and pockets, embellish with beading and embroidery the other model came to the comprise with a big lily origami laid over on her shoulder, the fabric used for the lily look like a traditional Japanese origami paper.On my personal view, she looked like a flower fairy dance on the stage. The surprise will never ended in Gallianos creation. A bright green kimono-like jacket, with a misinform large gathered sleeve and very traditional Japanese pattern, underneath this gorgeous jacket, we have a sleeveless, long shaped yellow dress with the same pattern on the jacket. This garment was really stand out because of the colour. This collection reconfirmed his unique talent to touch beauty, sensitivity, narrative, and emotion in fashion show (written by Sarah Mower in style. om) These garments to the population are over-the-top, but they are coming from human imagination, they are dreamlike creature, the most important point is they are not just a art pieces but wearable. Although the collection has a theme of Japanese costume, but it is different from the original. They are full of imaginati on and dreamlike creature, this make Sarah Mower in style. com think, What psychological process did it take to put forward John Galliano to the extraordinary place of brilliance he reachedor rediscoveredin his spring couture? From the stage set decorated with cherry blossoms, to the garments themselves, everything is surreal and has been exaggerated. The Japanese art of paper folding has been used in fabric and give the garment an extra decoration. Everything is like a dream in this fashion, something different and something new has explored by John Galliano. Using a culture as a theme does not mean changing something on the traditional clothing, but by investigate the art of culture and putting them into the design are always important. The world needs more fantasy. Our culture is too mechanical. By Salvador Dali in 1940.I believed in what he had said, I thought our world is too reasonable and sensible. Those realist think the people have dream are having a airy-fairy mind. F or those dreams which can not become true, the realist using their realistic mind thinks we are just a dreamer, no contribution, nonsense and desk studying. However they have never recognized how important dream and human imagination is, without those unrestrained and vigorous idea, we cannot progress and infiltrate more. Nowadays the society is too realistic, we have so many rule to constraint ourselves, therefore we need dreams and imagination to break through those inappropriate rules. We can make the fantastic real and then it is more real than that which actually exists By Salvador Dali. This world should be a unconstraint world, people are realistic, because we live in a commercial world, everything is particulars in their own values. No one would like to pay more this is how our society becomes self-concerned world. If we can imagine more, create more and pay more attention to the surrounding, and try to be less realistic than before, we can produce the real fantasy and it w ill be more real than that which actually exists.